Peter Friedman
Associate Professor, Legal Analysis & Writing
Case Western Reserve University School of Law
Ruling Imagination: Law and Creativity
Tweets on Law Practice
Matthew Homann, at the [non]billable hour, has published 100 Tweets: Thinking About Law Practice in 140 Characters or Less (pdf). His advice is terrific. Here are some of my favorites:
1. “My lawyer can beat up your lawyer” is not a marketing strategy. “My lawyer will call me back before yours will” is.
8. The most significant advantage you possess over lawyers who’ve come before you is that you don’t believe what they do.
16. The confused mind always says no.
28. You should never have a bigger monitor or more comfortable chair than your secretaries do.
53. Never confuse your desire to explain something with yourability to do so.
84. Trying to learn client service in ethics class is like trying to learn to ride a bicycle by watching lots of bike accidents.
By the way, on Twitter, I’m “@pbfriedman.”
Are lawyers and artists completely different and atagonistic?
Wendy Duong of the University of Denver Sturm School has written an article entitled “Law Law is Law and Art is Art and Shall the Two Ever Meet? Law and Literature: the Comparative Creative Processes.”
It’s a fascinating article and well worth dowloading and reading, but here I’d like to take issue with one of her principle points. As she puts it in the abstract to her article:
The two disciplines, Law and Art, remain divergent and incompatible in three core aspects: (i) the mental process of creation and the utilization of facilities, (ii) the work product or output, and (iii) the raison d’etre of law versus art. The Article points out that the mental process and utilization of facilities inherent in law has little to offer the creation of art, and the two creative processes are antagonistic to each other. In fact, the rationality and logic properties of law the objective of rendering certainty to uncertain future outcomes so as to achieve and maintain order — will interfere with, and can even destroy, the creation of art.
I will confess that I would not generally consider the product of legal practice “art” and it would be a stretch to fit even certain extraordinary legal products art – Perhaps the Declaration of Independence? The Constitution? Certain influential legal opinions?)
But does law “render certainty to uncertain future outcomes”? I passionately believe that an enormous part of the law does not do that at all, that what in fact it does is the kind of activity Ms. Duong attributes to art.
Life is infinite. Each case courts decide are intended first, of course, to resolve the specific cases they are resolving. But to the extent they render opinions, they are only contingently trying to address the future, and they know those contingent efforts are subject to irrelevance under new circumstances.
Moreover, life is constantly changing, and the law has to grow out of the material conditions it is always striving to govern. In doing so, it is constantly striving to envision the future material conditions the law might apply to and to anticipate those conditions in making law. Lawmakers then do not decide with a certainty what law they want to impose from above on the future; they collaboratively work out the best approach to whatever they can envision, knowing all the while that the law may well have to change in the future.
The practice of law too is the constant telling of stories — stories to persuade, stories to inspire, stories to justify visions of the future. In doing so they are as constrained as artists in the “realities” available to them. Lawyers are artists. They may have to make decisions, but that doesn’t mean that in getting to those decision-making points they are not as creatively engaged as artists.
Finally, if lawyers aren’t engaging in the same mental facilities as artists, I don’t have a clue what mental processes artist and lawyers engage in. I suspect if those ways of thinking are entirely divorced from one another, the lawyers aren’t practicing law well and the artists are not producing good art.
And if artists’ visions are irrelevant entirely from decisions people make in life (You must change your life.), what is it?