Lessig on Copyright Law: 5 ways to improve it.

Starting his article with an account of the silliness Universal Music Group visited upon Stephanie Lenz, Lawrence Lessig makes a compelling case that the existing regime of copyright laws subverts its very purposes — motivating creativity. Accordingly, Lessig proposes the following revisions to our laws:

1. “Where the creativity is an amateur remix, the law should leave it alone. It should deregulate amateur remix.”

2. “Deregulate ‘the copy:’ Copyright law is triggered every time there is a copy. In the digital age, where every use of a creative work produces a “copy,” that makes as much sense as regulating breathing. The law should also give up its obsession with “the copy,” and focus instead on uses — like public distributions of copyrighted work — that connect directly to the economic incentive copyright law was intended to foster.”

3. “Simplify: If copyright regulation were limited to large film studios and record companies, its complexity and inefficiency would be unfortunate, though not terribly significant. But when copyright law purports to regulate everyone with a computer, there is a special obligation to make sure this regulation is clear. It is not clear now.”

4. Restore efficiency: “[W]e should return to the system of our framers requiring at least that domestic copyright owners maintain their copyright after an automatic, 14-year initial term.”

5. “Decriminalize Gen-X: The war on peer-to-peer file-sharing is a failure. After a decade of fighting, the law has neither slowed file sharing, nor compensated artists. We should sue not kids, but for peace, and build upon a host of proposals that would assure that artists get paid for their work, without trying to stop ‘sharing.’”