Peter Friedman
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Ruling Imagination: Law and Creativity

July 20th, 2010 | creative lawyering, Law as a reflection of its society, legal interpretation, rhetoric

Creative Commons licensing is a simple and straightforward application of traditional legal concepts, but the perception it is something more and even radical is partly the fault of Creative Commons.

Much has been written about the absurdity of ASCAP’s fundraising letter that claims that Creative Commons, among others,  is “mobilizing to promote ‘Copyleft’ in order to undermine our ‘Copyright’ and that “[i]f their views are allowed to gain strength, music creators will find it harder and harder to make a living as traditional media shifts to online and wireless services. We all know what will happen next: the music will dry up, and the ultimate loser will be the music consumer.”

As Drew Wilson explains, this description of Creative Commons is ridiculous. And it is. But let me explain why I think in part Creative Commons has made the perception of what it does murkier than need be.

Last year I spent a day at the invitation of a professor at Wooster College lecturing on and discussing copyright with a number of his students. The students were terrific — bright, imaginative, and enthusiastic. At the end of the day we had a two hour, informal discussion section, and finally they were able to pin me down to explain what a few throughout the day had wanted me to explain: what is Creative Commons all about? I hadn’t responded to the question earlier because we had so much to cover in a very limited amount of time and it just didn’t seem like that big of a deal or that complicated to me. But I realized the simplicity of a Creative Commons license had escaped them.

All a Creative Commons does is provide suggested language to anyone who creates copyrighted content that will alert those who use the content whether and under what conditions the creator will allow those users to re-use the content without worry of copyright infringement. If I were to post on my blog that anyone may use any or all of my writing for any purpose provided that in doing so they credit me, make clear what words are mine, and provide hyper-links back to the posts they are using, I would not thereafter be able to sue anyone for copyright infringement who had complied with my conditions. By posting those instructions, I would have made an offer that use under those conditions was permissible. The use by someone of the material in compliance with those conditions would be an acceptance of the offer that would create a binding contract. That contract would bind me to my promise not to consider that use an infringement.

It’s no more complicated than that. Creative Commons provides here a menu of restrictions you might want to put on the use of your creation and the language that will enforce your promise not to consider use that complies with those restrictions.

But somehow the whole enterprise has been perceived to be something much more profound. First there’s the name — Creative Commons — which in the current political environment evokes misbegotten fears of “socialism” and even “communism” that naturally enough feed rhetoric that accuses comrades of the “CopyLeft” of stealing artists’ precious “Property.”

Good god, we’re just talking contract language that copyright holders can use to make explicit to consumers the extent those consumers can feel comfortable re-using the copyrighted works in ways they are certain are consistent with the copyright holders’ desires. This has nothing to do with a “commons” except in that any published, copyrighted work is part of what some people call our “intellectual commons.”

One should also note that even if someone includes with their work a Creative Commons license (or language they draft themselves) that states that re-use under certain conditions will not be considered an infringement, that does not mean that such a re-use would necessarily be an infringement in the absence of that language. Some stuff I post is not original enough to be subject to copyright. Some stuff I post can be re-used in ways that constitute fair use. Just because I’ve told you that you’re free to re-use my stuff as long as you give me credit and a hyper-link doesn’t mean, in other words, that if you don’t give me credit or a hyper-link you’ve infringed my copyright. That would depend on copyright law. But if you did follow my instructions, your worries would be over.

Unfortunately, too, even many of the efforts to provide straightforward explanations of what a Creative Commons “license” is founder on the shoals of legalese. “License” itself is a term most non-lawyers cannot easily grasp. And to jump immediately into screaming that an attack on Creative Commons is an attack on “artistic freedom”  – as Drew Wilson does in the post I link to and praise above — is to descend into rhetoric of war, of right versus left, of freedom versus tyranny, of property versus availability. We shouldn’t need to go there.

Creative Commons licensing is simple, straightforward application of traditional legal concepts. That’s all. Can we please move on now?

This article has 3 comments

  1. Tom Quillfeldt Says:

    Good points.
    Creative Commons often gets associated with anti-corporate arguments that make up one extreme of the copyright/copyleft argument- the other extreme being major labels and their affiliate organisations: RIAA, MPAA- in the UK the BPI.

    Licensing is a nightmare for the layman to understand. It is an uphill struggle to educate creators and temper some of the more reactionary rhetoric that you find online.

    We can only try to promote more rational, well-informed commentators such as those found above.

  2. Martin Cosentino Says:

    Creative Commons is a dichotomy verbalized into a catchy phrase. In itself, the phrase means that the ‘usually’ singular individual act of creativity(book,music,dance,performance,drawing)
    has an intrinsic connection to that ‘commons’- that which belongs to everyone, and which everyone has ‘permission’ to use. All licenses,
    however complex or simple, deal with ‘permissions’- this many pages on Thursday, between 4 and 7:30, on vellum, with india ink (no pencil)and only to 33″ tall people who live in caves in the Southwestern
    quadrant of Brasilia – Brazil, that is. As absurd as this sounds, the bottom line is that no one wants their original work stolen, plagiarized, copied infinitum, or imitated for the profit of ANYONE except the author of the work. Unless – a ‘permission’ or ‘license’ as these two legal terms are understood, subject to the individual conditions granted by the author or their agent(s). A contract is a contract – is a contract!This is usually found on the reverse of the title page in a book. I believe Creative Commons needs to SHARPLY clarify what it means about ‘conditions and terms’ of use. This would calm the jitters of the ‘right’ – copy, that is.

  3. Peter Says:

    Well, I might take issue with the idea that creativity is “usually singular” and “individual” and the suggestion that it doesn’t have a connection to a cultural commons. Creativity always takes place within a culture, and it draws meaning from creativity that has come before and provides meaning to creativity that comes after. The notion that it is usually so individual is really very much a product of our historical moment and an extension of notions pertaining to real and personal property far beyond their proper bounds.

    And I would take issue too with the notion that no one wants others to profit from reworking of their original work.

    Again, I think the heated rhetoric on all sides entirely obscures what is very straightforward about the “Creative Commons License,” the mere clarification of what uses and what conditions on those uses will not be disputed by the creator.

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